Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM [C], Nikon F DX
Nikon DX, APS-C / DXCurrently out of stock
Product details
The new 18-200mm is now part of the C-Contemporary product line and, with its entry-level digital SLR camera equipment, serves many areas of photography
::: Highlights :::
- perfect entry level equipment
-
::: Highlights :::
- perfect entry level equipment
-
from wide angle to tele range
- suitable for macro photography
- optical image stabilizer (OS)
-fast Hyper Sonic Motor (HSM)
- high optical performance
the popular all-round zoom lens 18-200mm has been completely revised to meet the standard of the new C-Contemporary product line.
With this lens you have the perfect entry level equipment for digital SLR cameras and are well prepared for numerous areas of photography. It opens up a variation of different image angles, from the wide-angle range to the telephoto range (18-200mm - equivalent 27-300mm at 35mm KB format) and also the macro range is covered. The OS (Optical Stabilizer) and the fast HSM (Hyper Sonic Motor) provide even more comfort when shooting close-up, indoor and night scenes from the hand.
The latest technologies have been incorporated, making it a recommended standard zoom lens of the latest generation.
- suitable for macro photography
- optical image stabilizer (OS)
-fast Hyper Sonic Motor (HSM)
- high optical performance
the popular all-round zoom lens 18-200mm has been completely revised to meet the standard of the new C-Contemporary product line.
With this lens you have the perfect entry level equipment for digital SLR cameras and are well prepared for numerous areas of photography. It opens up a variation of different image angles, from the wide-angle range to the telephoto range (18-200mm - equivalent 27-300mm at 35mm KB format) and also the macro range is covered. The OS (Optical Stabilizer) and the fast HSM (Hyper Sonic Motor) provide even more comfort when shooting close-up, indoor and night scenes from the hand.
The latest technologies have been incorporated, making it a recommended standard zoom lens of the latest generation.
Sensor compatibility | APS-C / DX |
Weight | 430 g |
Focus type | Autofocus, Manual focus |
Lens type | Super zoom lens |
Bayonet lens mount | Nikon DX |
Focal length | 18 - 200 mm |
Item number | 2577022 |
Colour group | Black |
Minimum focus distance | 0.39 m |
Lens type | Super zoom lens |
Bayonet lens mount | Nikon DX |
Min. focal length | 18 mm |
Max. focal length | 200 mm |
Focal length | 18 - 200 mm |
Sensor compatibility | APS-C / DX |
Number of diaphragm blades | 7 x |
Filter thread | 62 mm |
Number of lenses | 16 |
Number of lens groups | 13 |
Lens equipment | Fixed front lens, Image stabilisation, Internal focusing, Metal bayonet, Zoom function |
Optical zoom | 11.10 x |
Focus type | Autofocus, Manual focus |
Image stabilisation method | Optical |
Scope of delivery | Lens hood |
Weight | 430 g |
Length | 86 mm |
Diameter | 70.70 mm |
Length | 10.20 cm |
Width | 15.10 cm |
Height | 10.40 cm |
Weight | 635 g |
Specifications may include unverified machine translations.
Reviews & Ratings
Statutory warranty score
How often does a product of this brand in the «Lenses» category have a defect within the first 24 months?
Source: Galaxus- 4.Sony0,4 %
- 5.Olympus0,5 %
- 5.Sigma0,5 %
- 5.TTArtisan0,5 %
- 8.Panasonic0,6 %
Statutory warranty case duration
How many working days on average does it take to process a warranty claim from when it arrives at the service centre until it’s back with the customer?
Source: Galaxus- 1.Viltrox2 days
- 2.Sigma3 days
- 2.TTArtisan3 days
- 4.Sony5 days
- 5.Nikon6 days
Return rate
How often is a product of this brand in the «Lenses» category returned?
Source: Galaxus- 4.Nikon4,8 %
- 5.Sony5,2 %
- 6.Sigma5,3 %
- 7.Panasonic6,1 %
- 8.TTArtisan6,8 %
Source: Galaxus
Im Großen und Ganzen handelt es sich bei dem Sigma um ein gutes Objektiv, das in den meisten Aspekten zu überzeugen vermag. Die Bildqualität macht einen positiven Eindruck mit einem besonderen Lob für die Helligkeitsverteilung und die Reflexionen. Nur die eher mäßige Bildstabilisierung und die unterdurchschnittliche Leistung bei Falschlicht ziehen den Schnitt hier etwas nach unten...